in Swedish

Åsa, it is an intimate documentary and a tough subject, tell us what has been the most difficult when working with the film?

The most difficult thing has been organising the filming. There have been periods where Felicia hasn’t been feeling very well and not been able to participate in filming and we’ve had to cancel filming with a moments notice. However this whole thing was made easier by the fact that we early on found a way to communicate where we could set a clear framework for our work. That created a sense of security and safety for everyone, both the people in front and behind the camera. There have been moments when it has been painful to share Felicia and her family’s difficulties. It has then been helpful knowing that we all want the same thing, and then for me to stick to my primary task, create a great film that we all can be proud of.

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